Runningtime: 00:00:00, Conductor: Hugh Brunt, Design: Agnes F, Design: Dr Tchock, Design: Stanley Donwood, Design [Hands And Eyes Used On The Front Cover]: Giulia Piersanti, Drums: Noah Yorke, Engineer [Air-Lyndhurst Assistants]: Alex Ferguson (2), Engineer [Air-Lyndhurst Assistants]: Laurence Anslow, Engineer [Air-Lyndhurst Engineer]: Tom Bailey (2), Mixed By: Sam Petts-Davies, Orchestrated By: Hugh Brunt, Performer: London Contemporary Orchestra, Producer, Recorded By: Sam Petts-Davies, Producer, Recorded By: Thom Yorke, Score Editor [Music Editors]: Sam Petts-Davies, Score Editor [Music Editors]: Walter Fasland, Words By, Music By, Arranged By: Thom Yorke, Labelcode 05169572 (XL936CD), Phonographic Copyright (p) Unsustainabubble Ltd, Licensed To XL Recordings Ltd., Copyright (c) Unsustainabubble Ltd, Manufactured By Optimal Media GmbH, Recorded At Memory Has No Holes, Recorded At Air Lyndhurst Studios
"Suspiria - Music for the Luca Guadagnino Film" es un cautivador lanzamiento en CD con la banda sonora original compuesta por Thom Yorke, reconocido líder del grupo británico Radiohead. Esta inquietante y atmosférica partitura fue creada para el remake dirigido por Luca Guadagnino del clásico de terror ?Suspiria? (2018). Las composiciones de Yorke combinan electrónica envolvente, melodías al piano y voces hipnóticas que realzan el ambiente perturbador del filme; además destacan como una experiencia musical independiente que demuestra su creatividad más allá de su trabajo con Radiohead. XL Recordings/Beggars Group/Indigo son sellos respetados dentro del ámbito independiente y han sido clave apoyando artistas innovadores gracias a su apuesta constante por la calidad y libertad artística.
Most of the album consists of noise sound canvases that will certainly decorate more than one scene of Suspiria with their atmosphere. York, who was keen on abstract IDM, this time dispensed with any kind of electronic device at all: much more often the music here was natural dark ambient or drone, reproduced by the orchestra or using old modular synthesizers. The soundtrack was attended by Tom's son, seventeen-year-old Noah York (he played the drums in several songs), flutist Pavel Mansurov and London Contemporary Orchestra, who have been collaborating with York radio colleague Johnny Greenwood for many years.
Among the reigning rumble and sometimes quite creepy instrumental compositions in the new work of Tom York, you can find several songs of a more or less traditional form. For example, the title song of the same name, whose main theme will be repeated more than once throughout the album, and the psychedelic and inhibited "Has Ended". But the slow “Unmade” deserves special attention, which fits perfectly into the imaginary playlist of York's best “piano” songs somewhere between “Pyramid Song” and “Specter”.
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