Halgeir Schiager -Deutsche Orgelmusik der Romantik -Lawo Classics CD Grooves.land/Playthek

Details / Tracklist:

01. "Fantasie (ein Concertstück) op. 47"
Grosse Sonate G-Dur op. 49

02. "1. Introduction: Maestoso"

03. "2. Allegro maestoso"

04. "3. Andante quasi Adagio"

05. "4. Allegro maestoso"
Sonate für Orgel Nr. 2 op. 15

06. "1. Allegro con brio e con fuoco"

07. "2. Adagio"

08. "3. Allegro con brio"
Orgelsonate "Der 94. Psalm"

09. "1. Grave - Larghetto - Allegro con fuoco - Grave"

10. "2. Adagio"

11. "3. Allegro"

Number of discs:

Extra-Infos:

.. Reubke For Organ

Description:

Symphonic organ music in Germany in the nineteenth Century. Played on The Eule organ in Sofienberg church in Oslo. This CDâ??s intention is to present examples of developÂments characterizing German organ music in the mid- 1800s. In doing so, it seems natural to include ReuÂbkeâ??s Sonate, which has accompanied me throughout my life as an organ performer. At the same time, the album features seldom performed organ composiÂtions of Jan Albert van Eyken and Friedrich KÃ¼hmÂstedt, interesting works of high quality that tell us something about German organ music of the day. All the works on this CD were written in the period 1854â?? 1857. The instrument I chose is the new Eule organ in Sofienberg Church, which was inspired by German organ building in the nineteenth century and by FriedÂrich Ladegast in particular. - .. REUBKE FOR ORGAN

Music in the 1800s, as in earlier times, was influenced by the instruments for which it was written. As far as the organ is concerned, traditionally there was the influence of the piano, but also, to an ever increasing extent, the orchestra. Beginning in the mid-1700s, the Mannheim School's introduction of variable dynamics led to a paradigm shift, and the attitudes this represented were also evident in organ music. In his book of study for the organ from 1795-98, Justin Heinrich Knecht (1752-1817) described how one could achieve a crescendo on the organ from pianissimo to fortissimo, and he indicated the specific sequence of stops to be used. Nonetheless, most organs of the time were distinguished by the ideals of the past and were not always well suited for a new registration practice. The norm, as documented in published organ music in the first decades of the nineteenth century, implied that the registration was not changed while playing, thus limiting one to terraced dynamics by the dynamics that the number of manuals permitted. This album's intention is to present examples of developments characterizing German organ music in the mid- 1800s.

Recorded In Sofienberg Church, Oslo, 23?25 April 2019 Instrument: Eule organ, opus 677

Manufacturer No.:

LWC1205

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