Deutsche Orgelmusik der Romantik

Halgeir Schiager
Deutsche Orgelmusik der Romantik

18,95 EUR  15,79 EUR
CD
Lawo Classics
Date de sortie: 09/12/2020
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Livraison à US pendant: 4-8 jours ouvrable (seulement 8 pièces en stock)
Classement parmi les ventes: N° 481 en Orgue
N° 51214 en Classique
Style: Orgue
No d'article.: 2100172637

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Accessoires

Content:

Remarque / Liste des chansons: MP3 Audio maintenant écouter gratuitement 01. "Fantasie (ein Concertstück) op. 47"
Grosse Sonate G-Dur op. 49
MP3 Audio maintenant écouter gratuitement 02. "1. Introduction: Maestoso"
MP3 Audio maintenant écouter gratuitement 03. "2. Allegro maestoso"
MP3 Audio maintenant écouter gratuitement 04. "3. Andante quasi Adagio"
MP3 Audio maintenant écouter gratuitement 05. "4. Allegro maestoso"
Sonate für Orgel Nr. 2 op. 15
MP3 Audio maintenant écouter gratuitement 06. "1. Allegro con brio e con fuoco"
MP3 Audio maintenant écouter gratuitement 07. "2. Adagio"
MP3 Audio maintenant écouter gratuitement 08. "3. Allegro con brio"
Orgelsonate "Der 94. Psalm"
MP3 Audio maintenant écouter gratuitement 09. "1. Grave - Larghetto - Allegro con fuoco - Grave"
MP3 Audio maintenant écouter gratuitement 10. "2. Adagio"
MP3 Audio maintenant écouter gratuitement 11. "3. Allegro"
Nombre de disques: 1
Informations supplémentaires: .. Reubke For Organ
Description:Music in the 1800s, as in earlier times, was influenced by the instruments for which it was written. As far as the organ is concerned, traditionally there was the influence of the piano, but also, to an ever increasing extent, the orchestra. Beginning in the mid-1700s, the Mannheim School's introduction of variable dynamics led to a paradigm shift, and the attitudes this represented were also evident in organ music. In his book of study for the organ from 1795-98, Justin Heinrich Knecht (1752-1817) described how one could achieve a crescendo on the organ from pianissimo to fortissimo, and he indicated the specific sequence of stops to be used. Nonetheless, most organs of the time were distinguished by the ideals of the past and were not always well suited for a new registration practice. The norm, as documented in published organ music in the first decades of the nineteenth century, implied that the registration was not changed while playing, thus limiting one to terraced dynamics by the dynamics that the number of manuals permitted. This album's intention is to present examples of developments characterizing German organ music in the mid- 1800s., Runningtime: 00:00:00, Engineer [Balance Engineer], Mastered By: Thomas Wolden, Liner Notes: Halgeir Schiager, Liner Notes [English Translation]: Jim Skurdall, Liner Notes [German Translation]: Ellen Kolb-Schiager, Organ: Halgeir Schiager, Producer, Edited By: Vegard Landaas, Composed By: Friedrich Kühmstedt, Composed By: Friedrich Kühmstedt, Composed By: Jan Albert van Eijken, Composed By: Julius Reubke, Labelcode LAWO1205.2 (LWC 1205)
N° de fabricant: LWC1205
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