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01. Bartoli, Cecilia ""Ah, Perfido!"" 02. Bartoli, Cecilia "Aria "Per piet?, non dirmi addio"" 03. Bartoli, Cecilia ""Ah crudel! tu vuoi ch'io mora!"" Non pi?, tutto ascoltai - Non temer, amato bene, K.490 04. Mozart, Wolfgang Amadeus "Original Version" 05. Bartoli, Cecilia ""Se mai senti spirarti sul volto"" 06. Mozart, Wolfgang Amadeus "Ah, lo previdi!, K. 272: "Ah, lo previdi Ah, t'invola agl'occhi miei"" 07. Mozart, Wolfgang Amadeus "Ah, lo previdi!, K. 272: Cavatina "Deh, non varcar quell'onda"" 08. Mozart, Wolfgang Amadeus "Bella mia fiamma, addio K. 528: Recitativo "Bella mia fiamma, addio"" 09. Mozart, Wolfgang Amadeus "Bella mia fiamma, addio K. 528: Aria "Resta, o cara"" Il re pastore, K.208 (Original Version) 10. Mozart, Wolfgang Amadeus ""L'amer?, sar? costante" (Act 2)" Scena di Berenice 'Berenice, che fai?' Hob XXIVa:10 11. Haydn, Joseph "Original Version" 12. Haydn, Joseph "Original Version" 13. Haydn, Joseph "Original Version"
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 | Number of discs: |
1 |
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Sings Beethoven/ Mozart/ Myslivecek/ Haydn |
 | Description: | Unreleased by Cecilia Bartoli, Il Giardino Armonico, Giovanni An, released 19 November 2021, includes the following tracks: "Beethoven: Ah! Perfido, Op. 65", "Myslivecek: Se Mai Senti From La Clemenza Di Tito", "Mozart: Ah, Lo Previdi!...Ah, T'invola...Deh, Non Vicar", "Mozart: Bella Mia Fiamma, Addio... Resta, Oh Cara" and more.
This version of Unreleased comes as a 1xCD. - SINGS BEETHOVEN/MOZART/MYSLIVECEK/HAYDN On Unreleased, Bartoli performs dramatic concert arias all written in a period of 23 years, by four composers whose influence on one another is clear, and whose compositions were shaped by the great sopranos they were written for. Beethoven's Ah! Perfido, written for the celebrated singer Josepha Duschek during the composer's visit to Prague in 1796, may foreshadow some of the music for Beethoven's only ever operatic heroine: Fidelio's Leonore. Duschek also gave the premier of Mozart's Bella mia fiamma and was the originally intended performer of Ah, lo previdi, later performed by Aloysia Weber. Other tracks on Unreleased feature Mozart arias originally written for other great singers of the 18th century such as the castrato Tommaso Consoli who first sung Mozart's L'amerò sarò costante (in the opera Il Pastore). Bartoli continues her work to showcase underperformed rarities with Se mai senti. Written by the Czech composer Josef Myslivecek, the aria comes from his 1734 opera La Clemenza di Tito and was composed for Pietro Benedetti (who also premiered early Mozart operas). Myslivecek, starting life as a miller in Prague before travelling to Italy, became Europe's most successful and best paid opera composer by the time he befriended the young Mozart. Bartoli has previously performed Haydn's Scena di Berenice in concert to great acclaim, with her performance at the 2001 Styriarte Festival described by Gramophone as «one of the best recorded concerts on DVD». This is Bartoli's first studio recording of Haydn's demanding aria first performed by Brigida Bant in London in 1791. Russian-born Israeli violinist, violist, and conductor Maxim Vengerov features with violin solos on two tracks: L'amerò sarò costante and Ch'io mi scordi di te? «I would like to thank my dear colleague and friend Maxim Vengerov who has always been such a big inspiration for me and who has joined me in the recording of these two wonderful Mozart arias» - Cecilia Bartoli CECILIA BARTOLI / UNRELEASED2022 release. On Unreleased, Bartoli performs dramatic concert arias all written in a period of 23 years, by four composers whose influence on one another is clear, and whose compositions were shaped by the great sopranos they were written for. Beethoven's Ah! Perfido' written for the celebrated singer Josepha Duschek during the composer's visit to Prague in 1796, may foreshadow some of the music for Beethoven's only ever operatic heroine: Fidelio's Leonore. Duschek also gave the premier of Mozart's Bella mia fiamma and was the originally intended performer of Ah, lo previdi, later performed by Aloysia Weber. Other tracks on Unreleased feature Mozart arias originally written for other great singers of the 18th century such as the castrato Tommaso Consoli who first sung Mozart's L'amerò sarò costante (in the opera Il Pastore). Bartoli continues her work to showcase underperformed rarities with Se mai senti. Written by the Czech composer Josef Myslivecek, the aria comes from his 1734 opera La Clemenza di Tito and was composed for Pietro Benedetti (who also premiered early Mozart operas). Myslivecek, starting life as a miller in Prague before travelling to Italy, became Europe's most successful and best paid opera composer by the time he befriended the young Mozart. Bartoli has previously performed Haydn's Scena di Berenice in concert to great acclaim, with her performance at the 2001 Styriarte Festival described by Gramophone as "one of the best recorded concerts on DVD". This is Bartoli's first studio recording of Haydn's demanding aria first performed by Brigida Bant in London in 1791.Recording Location: Landgasthof Riehen, Switzerland 17-20. Nov. 2013
"Unreleased" is the result of many hours spent at home over a period of several months. During this time, I had the chance to rummage through my sound archives in search of hidden gems. Among the numerous long-lost friends that came to light, the recordings on this album are particularly precious to me. I hope that you will derive as much joy and pleasure from these rediscovered treasures as I did. Cecilia Bartoli |  | No. of tracks: |
12 |
 | Manufacturer No.: |
002894852093 |
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