Unreleased
17,69 EUR
CD
Decca
Lanzado en: 19/11/2021
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Rango de ventas: #334 en Opera
#17379 en Música clásica
Estilo: Opera
Número de artículo: 2100410478

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. Bartoli, Cecilia ""Ah, Perfido!""
MP3 Audio audición libre 02. Bartoli, Cecilia "Aria "Per piet?, non dirmi addio""
MP3 Audio audición libre 03. Bartoli, Cecilia ""Ah crudel! tu vuoi ch'io mora!""
Non pi?, tutto ascoltai - Non temer, amato bene, K.490
MP3 Audio audición libre 04. Mozart, Wolfgang Amadeus "Original Version"
MP3 Audio audición libre 05. Bartoli, Cecilia ""Se mai senti spirarti sul volto""
MP3 Audio audición libre 06. Mozart, Wolfgang Amadeus "Ah, lo previdi!, K. 272: "Ah, lo previdi Ah, t'invola agl'occhi miei""
MP3 Audio audición libre 07. Mozart, Wolfgang Amadeus "Ah, lo previdi!, K. 272: Cavatina "Deh, non varcar quell'onda""
MP3 Audio audición libre 08. Mozart, Wolfgang Amadeus "Bella mia fiamma, addio K. 528: Recitativo "Bella mia fiamma, addio""
MP3 Audio audición libre 09. Mozart, Wolfgang Amadeus "Bella mia fiamma, addio K. 528: Aria "Resta, o cara""
Il re pastore, K.208 (Original Version)
MP3 Audio audición libre 10. Mozart, Wolfgang Amadeus ""L'amer?, sar? costante" (Act 2)"
Scena di Berenice 'Berenice, che fai?' Hob XXIVa:10
MP3 Audio audición libre 11. Haydn, Joseph "Original Version"
MP3 Audio audición libre 12. Haydn, Joseph "Original Version"
MP3 Audio audición libre 13. Haydn, Joseph "Original Version"
Cantidades: 1
Informaciones adicionales: Sings Beethoven/ Mozart/ Myslivecek/ Haydn
Descripción:2022 release. On Unreleased, Bartoli performs dramatic concert arias all written in a period of 23 years, by four composers whose influence on one another is clear, and whose compositions were shaped by the great sopranos they were written for. Beethoven's Ah! Perfido' written for the celebrated singer Josepha Duschek during the composer's visit to Prague in 1796, may foreshadow some of the music for Beethoven's only ever operatic heroine: Fidelio's Leonore. Duschek also gave the premier of Mozart's Bella mia fiamma and was the originally intended performer of Ah, lo previdi, later performed by Aloysia Weber. Other tracks on Unreleased feature Mozart arias originally written for other great singers of the 18th century such as the castrato Tommaso Consoli who first sung Mozart's L'amerò sarò costante (in the opera Il Pastore). Bartoli continues her work to showcase underperformed rarities with Se mai senti. Written by the Czech composer Josef Myslivecek, the aria comes from his 1734 opera La Clemenza di Tito and was composed for Pietro Benedetti (who also premiered early Mozart operas). Myslivecek, starting life as a miller in Prague before travelling to Italy, became Europe's most successful and best paid opera composer by the time he befriended the young Mozart. Bartoli has previously performed Haydn's Scena di Berenice in concert to great acclaim, with her performance at the 2001 Styriarte Festival described by Gramophone as "one of the best recorded concerts on DVD". This is Bartoli's first studio recording of Haydn's demanding aria first performed by Brigida Bant in London in 1791.,

On Unreleased, Bartoli performs dramatic concert arias all written in a period of 23 years, by four composers whose influence on one another is clear, and whose compositions were shaped by the great sopranos they were written for.

Beethoven's Ah! Perfido, written for the celebrated singer Josepha Duschek during the composer's visit to Prague in 1796, may foreshadow some of the music for Beethoven's only ever operatic heroine: Fidelio's Leonore.

Duschek also gave the premier of Mozart's Bella mia fiamma and was the originally intended performer of Ah, lo previdi, later performed by Aloysia Weber. Other tracks on Unreleased feature Mozart arias originally written for other great singers of the 18th century such as the castrato Tommaso Consoli who first sung Mozart's L'amerò sarò costante (in the opera Il Pastore).

Bartoli continues her work to showcase underperformed rarities with Se mai senti. Written by the Czech composer Josef Myslivecek, the aria comes from his 1734 opera La Clemenza di Tito and was composed for Pietro Benedetti (who also premiered early Mozart operas). Myslivecek, starting life as a miller in Prague before travelling to Italy, became Europe's most successful and best paid opera composer by the time he befriended the young Mozart.

Bartoli has previously performed Haydn's Scena di Berenice in concert to great acclaim, with her performance at the 2001 Styriarte Festival described by Gramophone as «one of the best recorded concerts on DVD». This is Bartoli's first studio recording of Haydn's demanding aria first performed by Brigida Bant in London in 1791.

Russian-born Israeli violinist, violist, and conductor Maxim Vengerov features with violin solos on two tracks: L'amerò sarò costante and Ch'io mi scordi di te?

«I would like to thank my dear colleague and friend Maxim Vengerov who has always been such a big inspiration for me and who has joined me in the recording of these two wonderful Mozart arias» - Cecilia Bartoli

CECILIA BARTOLI / UNRELEASED

, Runningtime: 00:00:00, Labelcode 002894852093 (485 2093, 485 2093)
N° de títulos: 12
N° de fabricante: 002894852093
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