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Other products from Glenn Gould |
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1.1 Aria Take 11.2 "A great take"1.3 Variation 1 Take 11.4 "Slightly too fast"1.5 Variation 1 Take 21.6 "I like to do one more time"1.7 Variation 1 Take 31.8 "I keep forgetting" - Cue - Short False Start - Long False Start1.9 Variation 1 Take 41.10 ? "Now, that sounded great" - wrong feed1.11 Variation 2 Take 11.12 "Not a bad take"1.13 Variation 2 Take 21.14 "Damn it, there was a miss note" - Variation 2 Take 3: false start1.15 Variation 2 Take 41.16 "There was a wow at the beginning of the second half"1.17 Variation 2 Take 51.18 "The first half was not good" - Anouncement Take 6 - "Video wasn't ready" - Take 7 False Start1.19 Variation 2 Take 71.20 "Okay? - That is great! - Okay!"1.21 Variation 3 Take 1 - cut off1.22 "Again, please"1.23 Variation 3 Take 2 - cut off1.24 "Don't like it"1.25 Variation 3 Take 31.26 "I tried the fast version"1.27 Variation 3 Take 41.28 "How about that?" - Preparation for next take1.29 Variation 4 Take 11.30 ? "I forgot the goddam Ritard. dammit" - Discussion - Take 2, 3 and 4 all cut off1.31 Variation 4 Take 51.32 "Tremendous"1.33 Variation 4 Take 61.34 "Okay, we got a choice. Shall we take a look?" - Preparation for next take1.35 Variation 6 Take 11.36 "Sorry, I'm very sorry, Glen" - Take 2: cut off1.37 Variation 6 Take 31.38 "Not bad" - Take 4: cut off1.39 Variation 6 Take 5 - left channel drop out1.40 "That had loads of character"1.41 Variation 6 Take 61.42 "How about that? - That's fabulous" - Preparation for next take - Take 1: 2 false starts1.43 Variation 7 Take 11.44 "A wrong note near the end"1.45 Variation 7 Take 21.46 "That was a hell of a good take" - Preparation for next take1.47 Variation 9 Take 1 - cut off1.48 "Oh, merde. Take 2, please"1.49 Variation 9 Take 21.50 "Not a bad take. There was a wrong note in first half."1.51 Variation 9 Take 31.52 "Sorry, I forgot the legato"1.53 Variation 9 Take 41.54 "Also a good take" - Take 5: false start - "Let me just play the end of seven."1.55 Variation 9 Take 51.56 "We got lots of choice." - Improvisation - Preparation for next take1.57 Variation 10 Take 11.58 "There was a wrong note" - Preparation for next take1.59 Variation 10 Take 21.60 "I seem to be incapable of doing..." - Rehearsal - Preparation for next take1.61 Variation 10 Take 31.62 "A sloppy trill at the end" - Preparation for next take1.63 Variation 10 Take 41.64 "This was gorgeous"1.65 Variation 10 Take 51.66 "Too many little things" - Take 6: false start1.67 Variation 10 Take 61.68 "Very good things except one trill that wasn't good" - Take 7: various false starts1.69 Variation 10 Take 71.70 "Also very good"1.71 Variation 10 Take 81.72 "Oh shit, I was going very well" - Take 9: cut off - preparation for next take1.73 Variation 10 Take 91.74 "Sorry, sorry..."1.75 Variation 10 Take 101.76 "We got lots of choice, Bruno."2.1 Rehearsal: Variation 11 - 2nd half - Preparation for next take - 2 false starts2.2 Variation 11 Take 12.3 "I hope you got that"2.4 Variation 11 Insert 1 Take 1 (2 attempts)2.5 "That got it"2.6 Variation 11 Insert 1 Take 2 (3 attempts)2.7 "I'm not sure if the tempo was quite right on that one"2.8 Variation 11 Insert 1 Take 32.9 "Well, I got the first two"2.10 Variation 11 Insert 1 Take 42.11 "That felt great"2.12 Variation 11 Insert 2 Take 1 (2 attempts)2.13 "We got the spot" - Rehearsal / Improvisation2.14 Variation 11 Insert 2 Take 22.15 "How about that one"2.16 Variation 11 Insert 2 Take 32.17 "Okay, well we got..."2.18 Variation 11 Insert 3 Take 12.19 "But it got the real spot"2.20 Variation 11 Insert 3 Take 22.21 "That, I don't know about the level"2.22 Variation 11 Insert 3 Take 32.23 "Alright, Glenn, we're one dB over now."2.24 Variation 11 Insert 3 Take 4 (3 attempts)2.25 "Now, Glenn, I'm sorry, we're down a little bit again"2.26 Variation 11 Insert 3 Take 52.27 "I don't like the feel of the line"2.28 Variation 11 Insert 3 Take 6 (5 attempts)2.29 "You would like to turn on some more lights out here"2.30 Variation 11 Insert 3 Take 7 (3 attempts)2.31 "Not very smooth. One more time"2.32 Variation 11 Insert 3 Take 8 (3 attempts)2.33 "Once more"2.34 Variation 11 Insert 3 Take 92.35 "The last bar was no good" - Rehearsal Variation 122.36 Variation 12 Take 12.37 "Bruno, there are a couple of wrong notes"2.38 Variation 12 Take 22.39 "Sorry. It was going well until"2.40 Variation 12 Take 32.41 Rehearsal - "Oh boy, great"2.42 Variation 12 Take 42.43 "Sorry, once again"2.44 Variation 12 Take 52.45 "Sorry, this is a very tough piece" - false start2.46 Variation 12 Take 62.47 "Rather interesting, too."2.48 Variation 12 Take 72.49 "Again, please"2.50 Variation 12 Take 82.51 "One note missing at the end"2.52 Variation 12 Insert 1 Take 12.53 "Once more, please, with the same feed."2.54 Variation 12 Insert 1 Take 22.55 "How were the levels, Sam?"2.56 Variation 12 Insert 1 Take 32.57 "Looked good, looked very good"2.58 Variation 12 Insert 1 Take 42.59 "Okay? - Okay, good" - Preparation for next take2.60 Variation 13 Take 12.61 "Once more, please! - Rehearsal2.62 Variation 13 Take 22.63 "Oh this, that was so good!"2.64 Variation 13 Insert 1 Take 1 (not listed in tape sheet!)2.65 "How about that?" - Preparation for next take - false start2.66 Variation 13 Take 32.67 ? "I know this is deliberate or not"2.68 Variation 13 Take 42.69 "How about that." - Rehearsal2.70 Variation 14 Take 12.71 "Not bad. About three wrong..."2.72 Variation 14 Take 22.73 "With a fix for the last two bars"2.74 Variation 15 Take 12.75 "This is glorious, Glenn." - Preparation for next take2.76 Variation 15 Take 22.77 "I think there was some conversation here"2.78 Variation 15 Take 32.79 "How about that? Can we come?"3.1 333-- Preparation for next take3.2 Variation 16 Take 13.3 "The first half was terrific"3.4 Variation 16 Take 2 - cut off3.5 "Once again" - Improvisation on J. S. Bach: Sarabande3.6 Variation 16 Take 33.7 "The first half was no good" - Preparation for next take3.8 Variation 16 Part II Take 13.9 "Oh shit, it was going well"3.10 Variation 16 Part II Take 23.11 "A wrong note got in there" - Preperation for next take3.12 Variation 16 Part II Insert 1 Take 13.13 "Once again"3.14 Variation 16 Part II Insert 1 Take 23.15 "I keep doing that. Damn!"3.16 Variation 16 Part II Insert 1 Take 33.17 "There was a wrong note, but I think we can fix it!"3.18 Variation 16 Part II Insert 1 Take 43.19 "How about that? - That was absolutely clean" Preparation for next take3.20 Variation 17 Take 1 - cut off3.21 "Oh shit. The first half was good"3.22 Variation 17 Take 2 - cut off3.23 "Ha ha ha ha ha ha" - 2 false starts3.24 Variation 17 Take 33.25 "How about that for a second? - Glorious!"3.26 Variation 18 Take 1 - cut off3.27 "Too many things" - Strike the ladder - Preparation for next take - false start3.28 Variation 18 Take 2 - cut off3.29 "Too many little things."3.30 Variation 18 Take 3 - cut off3.31 ? "Shit! I was doing wrong." Rehearsal /Waiting for video team3.32 Variation 18 Take 43.33 "How about that? - Great absolutely perfect!" - Diskussion3.34 Variation 18 Take 5 - cut off3.35 "Again, please" - false start3.36 Variation 18 Take 63.37 "I don't like the take particularly"3.38 Variation 18 Take 73.39 "Okay, I still want to look at that one two back"3.40 Variation 18 Take 8 - cut off3.41 "Too many little things, but it was so good"3.42 Variation 18 Take 93.43 "One note was not quite right" - false start3.44 Variation 18 Take 103.45 "How about that? - Perfect!" - false start3.46 Variation 8 Take 13.47 "You buy about three wrong notes"3.48 Variation 3 (Remake) Take 1 - cut off3.49 "Sorry, sorry, Glenn. I'm very, very so |
 | | Number of discs: |
11 |
| | Language |
English (eng) |
| | Extra-Infos: |
.. The Complete Unreleased 1981 Studio Sessions |
| | Description: | To commemorate the 90th birthday of Canadian pianist Glenn Gould (1932-1982), and the 40th anniversary of the release of his famous second recording of the Goldberg Variations, Sony Classical is proud to present the complete recording sessions for his legendary album to the public for the first time. With over 8 hours of previously unreleased music and talks, the listener gets an insight into the making of one of the best-selling classical albums in the world. When Glenn Gould recorded his first version of the Goldberg Variations in 1955, it was at a time when analogue tape material was comparatively expensive, and so the recording focused mainly on the individual takes. It was completely different in 1981: the digital recording process had only just been introduced, and so in addition to the digital recording devices, a set of analog tape machines also ran at the same time, which generously documented Gould's working process. For the first time, the listener can accompany the great Gould on his journey to the final version of his Goldberg Variations, to take part in Gould's discussions and reflections and thus to experience the creation of a masterpiece in the studio up close. The experience is completed by a carefully designed book edition with photos and facsimiles. - .. THE COMPLETE UNRELEASED 1981 STUDIO SESSIONSLimited 11 CD set. Forty years ago, on September 2, 1982 - the year of Michael Jackson's Thriller and Steven Spielberg's E.T. - Glenn Gould's legendary second recording of the Goldberg Variations closed a circle that his revolutionary 1956 recording of Bach's masterpiece had opened. While his first recording is the exuberant, fast-paced work of a 22-year-old pianistic prodigy, his second is the measured, richly detailed interpretation of an experienced studio artist. Just five weeks later, the Canadian pianist died unexpectedly, leaving the world a masterpiece of recording art that - awarded two Grammys - is still one of the most listened to classical albums worldwide. In Gould's 90th anniversary year and 40 years since the second album's first release, Sony Classical is proud to announce the release of Glenn Gould: The Goldberg Variations - The Complete Unreleased 1981 Recording Sessions, a uniquely detailed window into the creation of this classic recording. Across 11 CDs, the set includes the double GRAMMY-winning final release as well as everything committed to tape during the 1981 sessions, restored from the original ¼-inch analogue tapes and mastered using 24 bit / 96 kHz technology. As well as the takes themselves, the session recordings include Gould and the producers' conversations, all of which are transcribed in a hard-cover coffee-table book which also contains an annotated score.The "Goldberg Variations - Complete Unreleased 1981 Studio Sessions" CD by Glenn Gould, produced by Sony Classical, offers a rare and intimate glimpse into the creative process of one of the most celebrated pianists of the 20th century. This unique release features previously unreleased studio takes from Gould's legendary 1981 recording sessions for Bach?s Goldberg Variations?an interpretation that has become iconic in classical music history. The collection allows listeners to experience Gould?s meticulous artistry and evolving interpretations as he explores every nuance of Bach's masterpiece. Sony Classical is renowned for its commitment to high-quality classical recordings, representing some of the world?s greatest artists and orchestras with an extensive catalog spanning centuries. Glenn Gould was a Canadian pianist famed for his technical brilliance and profound musical insight, particularly noted for his two groundbreaking recordings of the Goldberg Variations (1955 & 1981). His innovative approach revolutionized piano performance and left an indelible mark on generations of musicians. | | | Cover: |
CD size box set |
| | No. of tracks: |
822 |
| | Manufacturer No.: |
19439977422 |
| Product Safety
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Sony Music Entertainment International Services GmbH
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product.safety@sonymusic.com | |
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