1.8 "I keep forgetting" - Cue - Short False Start - Long False Start
1.9 Variation 1 Take 4
1.10 ? "Now, that sounded great" - wrong feed
1.11 Variation 2 Take 1
1.12 "Not a bad take"
1.13 Variation 2 Take 2
1.14 "Damn it, there was a miss note" - Variation 2 Take 3: false start
1.15 Variation 2 Take 4
1.16 "There was a wow at the beginning of the second half"
1.17 Variation 2 Take 5
1.18 "The first half was not good" - Anouncement Take 6 - "Video wasn't ready" - Take 7 False Start
1.19 Variation 2 Take 7
1.20 "Okay? - That is great! - Okay!"
1.21 Variation 3 Take 1 - cut off
1.22 "Again, please"
1.23 Variation 3 Take 2 - cut off
1.24 "Don't like it"
1.25 Variation 3 Take 3
1.26 "I tried the fast version"
1.27 Variation 3 Take 4
1.28 "How about that?" - Preparation for next take
1.29 Variation 4 Take 1
1.30 ? "I forgot the goddam Ritard. dammit" - Discussion - Take 2, 3 and 4 all cut off
1.31 Variation 4 Take 5
1.32 "Tremendous"
1.33 Variation 4 Take 6
1.34 "Okay, we got a choice. Shall we take a look?" - Preparation for next take
1.35 Variation 6 Take 1
1.36 "Sorry, I'm very sorry, Glen" - Take 2: cut off
1.37 Variation 6 Take 3
1.38 "Not bad" - Take 4: cut off
1.39 Variation 6 Take 5 - left channel drop out
1.40 "That had loads of character"
1.41 Variation 6 Take 6
1.42 "How about that? - That's fabulous" - Preparation for next take - Take 1: 2 false starts
1.43 Variation 7 Take 1
1.44 "A wrong note near the end"
1.45 Variation 7 Take 2
1.46 "That was a hell of a good take" - Preparation for next take
1.47 Variation 9 Take 1 - cut off
1.48 "Oh, merde. Take 2, please"
1.49 Variation 9 Take 2
1.50 "Not a bad take. There was a wrong note in first half."
1.51 Variation 9 Take 3
1.52 "Sorry, I forgot the legato"
1.53 Variation 9 Take 4
1.54 "Also a good take" - Take 5: false start - "Let me just play the end of seven."
1.55 Variation 9 Take 5
1.56 "We got lots of choice." - Improvisation - Preparation for next take
1.57 Variation 10 Take 1
1.58 "There was a wrong note" - Preparation for next take
1.59 Variation 10 Take 2
1.60 "I seem to be incapable of doing..." - Rehearsal - Preparation for next take
1.61 Variation 10 Take 3
1.62 "A sloppy trill at the end" - Preparation for next take
1.63 Variation 10 Take 4
1.64 "This was gorgeous"
1.65 Variation 10 Take 5
1.66 "Too many little things" - Take 6: false start
1.67 Variation 10 Take 6
1.68 "Very good things except one trill that wasn't good" - Take 7: various false starts
1.69 Variation 10 Take 7
1.70 "Also very good"
1.71 Variation 10 Take 8
1.72 "Oh shit, I was going very well" - Take 9: cut off - preparation for next take
1.73 Variation 10 Take 9
1.74 "Sorry, sorry..."
1.75 Variation 10 Take 10
1.76 "We got lots of choice, Bruno."
2.1 Rehearsal: Variation 11 - 2nd half - Preparation for next take - 2 false starts
2.2 Variation 11 Take 1
2.3 "I hope you got that"
2.4 Variation 11 Insert 1 Take 1 (2 attempts)
2.5 "That got it"
2.6 Variation 11 Insert 1 Take 2 (3 attempts)
2.7 "I'm not sure if the tempo was quite right on that one"
2.8 Variation 11 Insert 1 Take 3
2.9 "Well, I got the first two"
2.10 Variation 11 Insert 1 Take 4
2.11 "That felt great"
2.12 Variation 11 Insert 2 Take 1 (2 attempts)
2.13 "We got the spot" - Rehearsal / Improvisation
2.14 Variation 11 Insert 2 Take 2
2.15 "How about that one"
2.16 Variation 11 Insert 2 Take 3
2.17 "Okay, well we got..."
2.18 Variation 11 Insert 3 Take 1
2.19 "But it got the real spot"
2.20 Variation 11 Insert 3 Take 2
2.21 "That, I don't know about the level"
2.22 Variation 11 Insert 3 Take 3
2.23 "Alright, Glenn, we're one dB over now."
2.24 Variation 11 Insert 3 Take 4 (3 attempts)
2.25 "Now, Glenn, I'm sorry, we're down a little bit again"
2.26 Variation 11 Insert 3 Take 5
2.27 "I don't like the feel of the line"
2.28 Variation 11 Insert 3 Take 6 (5 attempts)
2.29 "You would like to turn on some more lights out here"
2.30 Variation 11 Insert 3 Take 7 (3 attempts)
2.31 "Not very smooth. One more time"
2.32 Variation 11 Insert 3 Take 8 (3 attempts)
2.33 "Once more"
2.34 Variation 11 Insert 3 Take 9
2.35 "The last bar was no good" - Rehearsal Variation 12
2.36 Variation 12 Take 1
2.37 "Bruno, there are a couple of wrong notes"
2.38 Variation 12 Take 2
2.39 "Sorry. It was going well until"
2.40 Variation 12 Take 3
2.41 Rehearsal - "Oh boy, great"
2.42 Variation 12 Take 4
2.43 "Sorry, once again"
2.44 Variation 12 Take 5
2.45 "Sorry, this is a very tough piece" - false start
2.46 Variation 12 Take 6
2.47 "Rather interesting, too."
2.48 Variation 12 Take 7
2.49 "Again, please"
2.50 Variation 12 Take 8
2.51 "One note missing at the end"
2.52 Variation 12 Insert 1 Take 1
2.53 "Once more, please, with the same feed."
2.54 Variation 12 Insert 1 Take 2
2.55 "How were the levels, Sam?"
2.56 Variation 12 Insert 1 Take 3
2.57 "Looked good, looked very good"
2.58 Variation 12 Insert 1 Take 4
2.59 "Okay? - Okay, good" - Preparation for next take
2.60 Variation 13 Take 1
2.61 "Once more, please! - Rehearsal
2.62 Variation 13 Take 2
2.63 "Oh this, that was so good!"
2.64 Variation 13 Insert 1 Take 1 (not listed in tape sheet!)
2.65 "How about that?" - Preparation for next take - false start
2.66 Variation 13 Take 3
2.67 ? "I know this is deliberate or not"
2.68 Variation 13 Take 4
2.69 "How about that." - Rehearsal
2.70 Variation 14 Take 1
2.71 "Not bad. About three wrong..."
2.72 Variation 14 Take 2
2.73 "With a fix for the last two bars"
2.74 Variation 15 Take 1
2.75 "This is glorious, Glenn." - Preparation for next take
2.76 Variation 15 Take 2
2.77 "I think there was some conversation here"
2.78 Variation 15 Take 3
2.79 "How about that? Can we come?"
3.1 333-- Preparation for next take
3.2 Variation 16 Take 1
3.3 "The first half was terrific"
3.4 Variation 16 Take 2 - cut off
3.5 "Once again" - Improvisation on J. S. Bach: Sarabande
3.6 Variation 16 Take 3
3.7 "The first half was no good" - Preparation for next take
3.8 Variation 16 Part II Take 1
3.9 "Oh shit, it was going well"
3.10 Variation 16 Part II Take 2
3.11 "A wrong note got in there" - Preperation for next take
3.12 Variation 16 Part II Insert 1 Take 1
3.13 "Once again"
3.14 Variation 16 Part II Insert 1 Take 2
3.15 "I keep doing that. Damn!"
3.16 Variation 16 Part II Insert 1 Take 3
3.17 "There was a wrong note, but I think we can fix it!"
3.18 Variation 16 Part II Insert 1 Take 4
3.19 "How about that? - That was absolutely clean" Preparation for next take
3.20 Variation 17 Take 1 - cut off
3.21 "Oh shit. The first half was good"
3.22 Variation 17 Take 2 - cut off
3.23 "Ha ha ha ha ha ha" - 2 false starts
3.24 Variation 17 Take 3
3.25 "How about that for a second? - Glorious!"
3.26 Variation 18 Take 1 - cut off
3.27 "Too many things" - Strike the ladder - Preparation for next take - false start
3.28 Variation 18 Take 2 - cut off
3.29 "Too many little things."
3.30 Variation 18 Take 3 - cut off
3.31 ? "Shit! I was doing wrong." Rehearsal /Waiting for video team
3.32 Variation 18 Take 4
3.33 "How about that? - Great absolutely perfect!" - Diskussion
3.34 Variation 18 Take 5 - cut off
3.35 "Again, please" - false start
3.36 Variation 18 Take 6
3.37 "I don't like the take particularly"
3.38 Variation 18 Take 7
3.39 "Okay, I still want to look at that one two back"
3.40 Variation 18 Take 8 - cut off
3.41 "Too many little things, but it was so good"
3.42 Variation 18 Take 9
3.43 "One note was not quite right" - false start
3.44 Variation 18 Take 10
3.45 "How about that? - Perfect!" - false start
3.46 Variation 8 Take 1
3.47 "You buy about three wrong notes"
3.48 Variation 3 (Remake) Take 1 - cut off
3.49 "Sorry, sorry, Glenn. I'm very, very so
Nombre de disques:
11
Langue:
anglais (eng)
Informations supplémentaires:
.. The Complete Unreleased 1981 Studio Sessions
Description:
Labelcode MSWK97742.2
Le CD "Goldberg Variat.-Compl. Unrel.1981 Studio Sessions" de Glenn Gould chez Sony Classical offre une immersion exceptionnelle dans le processus créatif d?un des plus grands pianistes du XXe siècle. Cette édition spéciale rassemble des prises inédites issues des sessions d?enregistrement légendaires de l?interprétation par Glenn Gould en 1981 des Variations Goldberg de Bach ? une version devenue mythique dans l?histoire de la musique classique mondiale. Les auditeurs peuvent ainsi découvrir la minutie et les choix artistiques évolutifs du pianiste au fil de son exploration approfondie du chef-d??uvre bachien à travers ces documents rares et précieux sur support CD haute qualité signé Sony Classical, label réputé pour ses productions soignées et son catalogue prestigieux regroupant les meilleurs artistes classiques internationaux depuis plusieurs décennies.
Glenn Gould était un pianiste canadien visionnaire dont la virtuosité technique et l?intelligence musicale ont révolutionné l?art du clavier ; il est notamment célèbre pour ses deux enregistrements majeurs des Variations Goldberg (1955 & 1981), qui continuent d?influencer profondément musiciens et mélomanes à travers le monde.
Instrument seul
5.980
