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01. "Runaround Man" 02. "(Teach You How To) Sing The Blues" 03. "When The Eagle Screams" 04. "Rock Out" 05. "One Short Life" 06. "Buried Alive" 07. "English Rose" 08. "Back on the chain" 09. "Heroes" 10. "Time Is Right" 11. "The Thousand Names Of God"
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1 |
 | Descripción: | Digipak. Motörhead's 19th studio album, Motörizer was originally released on 26th August 2008 and was their third to be produced by Cameron Webb. Motörizer was the first album for the band to chart in the USA, debuting at number 82; it also reached number 5 in Germany. The album's lead single 'Rock Out' was featured as the official theme song to WWE Unforgiven, Runningtime: 00:00:00, Bass, Vocals: Ian Fraser Kilmister, Drums: Mikkey Dee, Engineer [Additional]: Sergio Chavez, Guitar: Phil Campbell, Management: Singerman Entertainment, Mastered By: Kevin Bartley, Producer [Produced by], Mixed By, Engineer [Engineered by]: Cameron Webb, Slide Guitar: Wesley Mischener, Labelcode BGRT826142.2 (BMGCAT783CD, BMGCAT783CD), Phonographic Copyright (p) Belle Vue Sunshine Touring Inc., Copyright (c) Belle Vue Sunshine Touring Inc., Licensed To BMG Rights Management (UK) Limited, Glass Mastered At Sonopress, Recorded At Studio 606, Recorded At Sage & Sound, Mixed At Maple Sound Studios, Mastered At Capitol Mastering, Published By Kobalt Music Publishing Ltd., Published By Warner Chappell Music Ltd. |  | N° de títulos: |
11 |
 | N° de fabricante: |
405053882614 |
 | Seguridad del producto
Persona responsable para la UE:
Universal Music GmbH Mühlenstrasse 25, 10243 Berlin, DE productsafety@umusic.com |  |
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Yuriy P. - 06/07/2024  I am not inclined to overestimate and speak flatteringly about a performer, only because of his better past, while belittling the present, but... “Motorizer” - the next album of the legendary British trio, is, like 10 and 20 years ago the same cheerful rock and roll heavy without any visible deviations or new elements.
I think that you can write a retsu for the 2000 album and apply it to all subsequent work of Motörhead and be right in everything. The same rattling bass of Kilmister, with his elegantly hoarse voice, Mickey’s drums have the same dry, clearly defined beat, and Campbell’s cuts, complementing the overall picture, turn the material into 11 road biker sagas.
It’s good that “Motors” still release albums with enviable consistency, because You have to be able to do absolutely the same thing year after year and at the same time manage not to be simply boring.
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