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1.1 Beethoven: Symphonies Nos. 1 ; 22.1 Beethoven: Symphony No. 3 'Eroica'3.1 Beethoven: Symphony No. 43.2 Beethoven: Overture 'Die Weihe Des Hauses'4.1 Beethoven: Symphonies Nos. 5 ; 85.1 Beethoven: Symphony No. 6 'Pastoral'5.2 Beethoven: Overture 'Egmont'6.1 Beethoven: Symphony No. 76.2 Beethoven: Overture 'Leonore No. 3'7.1 Beethoven: Symphony No. 9 'Choral'8.1 Beethoven: Piano Concertos Nos. 1 ; 29.1 Beethoven: Piano Concertos Nos. 3 ; 410.1 Beethoven: Piano Concerto No. 5 'Emperor'11.1 Mozart: Piano Concertos Nos. 20 ; 612.1 Tchaikovsky: Symphony No. 513.1 Dvorßk: Symphony No. 714.1 Dvorßk: 4 Slavonic Dances14.2 Brahms: 7 Hungarian Dances |
| | Number of discs: |
14 |
| | Description: | The two stereo Beethoven cycles, those of the Symphonies (1965-70) and the Piano Concertos (with Wilhelm Backhaus, 1958-59), form the core of this edition of the complete Decca recordings of Hans Schmidt-Isserstedt (1900-1973). It is distinguished by the Wiener Philharmoniker's unique transparency of sound allied to a firm pulse and rhythmic drive which characterized Schmidt-Isserstedt's conducting. Several of the recordings were produced by Erik Smith, the conductor's son. Though it appears that he never stood in front of the Vienna Philharmonic in a concert, Hans Schmidt-Isserstedt achieved a remarkable rapport with a famously headstrong group of musicians when he conducted them in two stereo Beethoven cycles for Decca. In 1958-59 they recorded the piano concertos with Wilhelm Backhaus, as a stereo remake for the pianist's mono Decca cycle with the Vienna Philharmonic and Clemens Krauss. Backhaus was in his late 70s by then, conveying a lifetime's wisdom through his fingers while playing with apparently undimmed vitality. The Decca producer for the concertos was the conductor's son, Erik Smith, and a familial sense of mutual respect and understanding may be one reason for the success of the symphony cycle made between 1965 and 1970. Schmidt-Isserstedt harnesses the unique transparency of the Vienna Philharmonic sound with the firm pulse and rhythmic drive which had always distinguished his conducting. The set has rarely left the catalogue since it was issued, because it's virtues have never gone out of fashion. Schmidt-Isserstedt's first recordings for Decca were made in the early 1950s, as founder-conductor of Hamburg Radio Symphony Orchestra, now known as the NDR Elbphilharmonie Orchestra. The ensemble began life after the war as a cultural project nurtured and supported by the British, and under Schmidt-Isserstedt's dedicated coaching it quickly became one of the most admired orchestras Europe. Their recordings of Dvorák's Seventh and Tchaikovsky's Fifth symphonies were made in state-of-the-art Decca mono sound, produced by John Culshaw. As the reputation of the NDR orchestra spread internationally during the 1960s, so did that of it's conductor, who became a welcome and familiar presence in front of the London orchestras. He exerts gentle and sovereign authority over the London Symphony Orchestra on a 1967 album of Mozart concertos in partnership with Vladimir Ashkenazy. This Eloquence set is issued with original covers and a new essay by Peter Quantrill on Hans Schmidt-Isserstedt and his Decca legacy.This edition: ? 2023 Decca Music Group Limited. Artwork © Universal Music Australia Pty. Ltd.
Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group under exclusive licence.
Made in Australia.
CD 1
Recording Location: Sofiensaal, Vienna, Austria, 13-14 November 1967 & 16-21 September 1968
(Symphony No, 2), 16-21 September 1968 (Symphony No. 1)
Original Decca Release: SXL 6437: March 1970
? 1970 Decca Music Group Limited
STEREO
CD 2
Recording Location: Sofiensaal, Vienna, Austria, 22-25 November 1965
Original Decca Release: SXL 6232: November 1966
? 1966 Decca Music Group Limited
STEREO
CD 3
Recording Location: Sofiensaal, Vienna, Austria, 26-28 April & 3 May 1967
Original Decca Release: SXL 6329: November 1967
? 1967 Decca Music Group Limited
STEREO
CD 4
Recording Location: Sofiensaal, Vienna, Austria, 16-21 September 1968
Original Decca Release: SXL 6396: April 1969
? 1969 Decca Music Group Limited
STEREO
CD 5
Recording Location: Sofiensaal, Vienna, Austria, 26-28 April & 3 May 1967
Original Decca Release: SXL 6329: November 1967
? 1967 Decca Music Group Limited
STEREO
CD 6
Recording Location: Sofiensaal, Vienna, Austria, 4. 6, 7 & 9 June 1969
Original Decca Release: SXL 6447: May 1970
? 1970 Decca Music Group Limited
STEREO
CD 7
Recording Location: Sofiensaal, Vienna, Austria, 8-12 December 1965
Original Decca Release: SXL 6233: September 1966
? 1966 Decca Music Group Limited
STEREO
CD 8
Recording Location: Sofiensaal, Vienna, Austria, 16-22 April 1958 (Piano Concerto No. 1),
9-30 June 1959 (Piano Concerto No. 2)
Original Decca Release: SXL 2178: February 1960
? 1960 Decca Music Group Limited
STEREO
CD 9
Recording Location: Sofiensaal, Vienna, Austria, 16-22 April 1958 (Piano Concerto No. 4),
22-27 October 1958 (Piano Concerto No. 3)
Original Decca Releases: SXL 2010 (Piano Concerto No. 4): September 1958;
SXL 2190 (Piano Concerto No. 3): April 1960
? 1958 (Piano Concerto No. 4), 1960 (Piano Concerto No. 3) Decca Music Group Limited
STEREO
CD 10
Recording LocatioThe "Hans Schmidt-Isserstedt Edition vol. 1" CD presents a remarkable collection of recordings by the renowned German conductor Hans Schmidt-Isserstedt, featuring performances with the Wiener Philharmoniker (WPhO), London Symphony Orchestra (LSO), and Hamburger Rundfunk-Sinfonieorchester (Hamburger RSO). This edition showcases his masterful interpretations of classical repertoire, highlighting his clarity, precision, and deep musical insight. Released by Australian Eloquence?a label celebrated for its high-quality reissues and dedication to preserving great classical performances?this album is an essential addition for collectors and enthusiasts alike. Hans Schmidt-Isserstedt was one of the leading conductors of the 20th century, acclaimed for his work with major European orchestras and especially noted for his interpretations of Beethoven, Brahms, and Mozart. His legacy includes numerous award-winning recordings that continue to inspire listeners worldwide. | | | No. of tracks: |
18 |
| | Manufacturer No.: |
ELQ4843981 |
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