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1.1 Beethoven: Symphonies Nos. 1 ; 22.1 Beethoven: Symphony No. 3 'Eroica'3.1 Beethoven: Symphony No. 43.2 Beethoven: Overture 'Die Weihe Des Hauses'4.1 Beethoven: Symphonies Nos. 5 ; 85.1 Beethoven: Symphony No. 6 'Pastoral'5.2 Beethoven: Overture 'Egmont'6.1 Beethoven: Symphony No. 76.2 Beethoven: Overture 'Leonore No. 3'7.1 Beethoven: Symphony No. 9 'Choral'8.1 Beethoven: Piano Concertos Nos. 1 ; 29.1 Beethoven: Piano Concertos Nos. 3 ; 410.1 Beethoven: Piano Concerto No. 5 'Emperor'11.1 Mozart: Piano Concertos Nos. 20 ; 612.1 Tchaikovsky: Symphony No. 513.1 Dvorßk: Symphony No. 714.1 Dvorßk: 4 Slavonic Dances14.2 Brahms: 7 Hungarian Dances |
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14 |
| | Descripción: | The two stereo Beethoven cycles, those of the Symphonies (1965-70) and the Piano Concertos (with Wilhelm Backhaus, 1958-59), form the core of this edition of the complete Decca recordings of Hans Schmidt-Isserstedt (1900-1973). It is distinguished by the Wiener Philharmoniker's unique transparency of sound allied to a firm pulse and rhythmic drive which characterized Schmidt-Isserstedt's conducting. Several of the recordings were produced by Erik Smith, the conductor's son. Though it appears that he never stood in front of the Vienna Philharmonic in a concert, Hans Schmidt-Isserstedt achieved a remarkable rapport with a famously headstrong group of musicians when he conducted them in two stereo Beethoven cycles for Decca. In 1958-59 they recorded the piano concertos with Wilhelm Backhaus, as a stereo remake for the pianist's mono Decca cycle with the Vienna Philharmonic and Clemens Krauss. Backhaus was in his late 70s by then, conveying a lifetime's wisdom through his fingers while playing with apparently undimmed vitality. The Decca producer for the concertos was the conductor's son, Erik Smith, and a familial sense of mutual respect and understanding may be one reason for the success of the symphony cycle made between 1965 and 1970. Schmidt-Isserstedt harnesses the unique transparency of the Vienna Philharmonic sound with the firm pulse and rhythmic drive which had always distinguished his conducting. The set has rarely left the catalogue since it was issued, because it's virtues have never gone out of fashion. Schmidt-Isserstedt's first recordings for Decca were made in the early 1950s, as founder-conductor of Hamburg Radio Symphony Orchestra, now known as the NDR Elbphilharmonie Orchestra. The ensemble began life after the war as a cultural project nurtured and supported by the British, and under Schmidt-Isserstedt's dedicated coaching it quickly became one of the most admired orchestras Europe. Their recordings of Dvorák's Seventh and Tchaikovsky's Fifth symphonies were made in state-of-the-art Decca mono sound, produced by John Culshaw. As the reputation of the NDR orchestra spread internationally during the 1960s, so did that of it's conductor, who became a welcome and familiar presence in front of the London orchestras. He exerts gentle and sovereign authority over the London Symphony Orchestra on a 1967 album of Mozart concertos in partnership with Vladimir Ashkenazy. This Eloquence set is issued with original covers and a new essay by Peter Quantrill on Hans Schmidt-Isserstedt and his Decca legacy., Runningtime: 00:00:00, Art Direction, Restoration [Images]: Raymond Bannerman, Booklet Editor: Adam Freeman (2), Booklet Editor: Bruce Raggatt, Booklet Editor: Jonathan Summers (3), Conductor: Christopher Raeburn, Conductor: Hans Schmidt-Isserstedt, Engineer [Balance Engineer, Mono]: Gordon Parry, Engineer [Balance Engineer, Stereo]: Alan Abel, Engineer [Balance Engineer, Stereo]: Erik Smith, Engineer [Balance Engineer, Stereo]: James Brown (2), Engineer [Balance Engineer, Stereo]: Unknown Artist, Engineer [Balance Engineer]: Gordon Parry, Engineer [Balance Engineer]: James Lock (2), Engineer [Balance Engineer]: Kenneth Wilkinson, Engineer [Balance Engineer]: Michael Mailes, Executive-Producer [Executive-Producer for Eloquence]: Cyrus Meher-Homji, Liner Notes: Peter Quantrill, Producer [Recording Producer, Mono]: John Culshaw, Producer [Recording Producer, Mono]: Ray Minshull, Producer [Recording Producer, Stereo]: Erik Smith, Producer [Recording Producer]: Erik Smith, Producer [Recording Producer]: John Culshaw, Production Manager: Cassandra Paz, Remastered By [Remastering Eingeer]: Chris Bernauer, Research [Repertoire and Data]: Andrew Dalton, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Bass Vocals: Martti Talvela, Choir: Wiener Staatsopernchor, Chorus Master: Wilhelm Pitz, Composed By: Ludwig van Beethoven, Mezzo-soprano Vocals: Marilyn Horne, Orchestra: Wiener Philharmoniker, Soprano Vocals: Joan Sutherland, Tenor Vocals: James King (3), Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Piano: Wilhelm Backhaus, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Piano: Wilhelm Backhaus, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Piano: Wilhelm Backhaus, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Piano: Wilhelm Backhaus, Composed By: Ludwig van Beethoven, Orchestra: Wiener Philharmoniker, Piano: Wilhelm Backhaus, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Piano: Vladimir Ashkenazy, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Piano: Vladimir Ashkenazy, Composed By: Pyotr Ilyich Tchaikovsky, Orchestra: Orchester Des NWDR Hamburg, Composed By: Antonín Dvo?ák, Orchestra: Orchester Des NWDR Hamburg, Composed By: Antonín Dvo?ák, Orchestra: Orchester Des NWDR Hamburg, Composed By: Johannes Brahms, Orchestra: Orchester Des NWDR Hamburg, Labelcode ELOA4843981.2 (484 3981), Phonographic Copyright (p) Decca Music Group Limited, Copyright (c) Universal Music Australia Pty Ltd, Marketed By Universal Classics & Jazz, Recorded At Sofiensaal, Recorded At Kingsway Hall, Recorded At Musikhalle, HamburgEl álbum "Hans Schmidt-Isserstedt Edition vol. 1" en formato CD reúne una extraordinaria colección de grabaciones del célebre director alemán Hans Schmidt-Isserstedt junto a orquestas como la Wiener Philharmoniker (WPhO), London Symphony Orchestra (LSO) y el Hamburger Rundfunk-Sinfonieorchester (Hamburger RSO). Esta edición destaca por sus interpretaciones magistrales del repertorio clásico con claridad y profundidad musical excepcionales bajo su batuta experta. Editado por Australian Eloquence?un sello reconocido internacionalmente por sus cuidadosas reediciones y compromiso con preservar grandes actuaciones clásicas?este disco es imprescindible para coleccionistas y amantes exigentes de la música clásica. Considerado uno de los directores más importantes del siglo XX, Hans Schmidt-Isserstedt fue especialmente celebrado por su trabajo con las principales orquestas europeas e interpretaciones ejemplares de obras maestras como las de Beethoven o Brahms; muchas grabaciones premiadas forman parte fundamental del legado discográfico universal actual. | | | N° de títulos: |
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| | N° de fabricante: |
ELQ4843981 |
| Seguridad del producto
Persona responsable para la UE:
Importeur: Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
info@classicdisc.de | |
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