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01. "Crazy" 02. "Live to die another day" 03. "Babylon's burning" 04. "Burn" 05. "Into the fire" 06. "Thunder red" 07. "Seas of fire" 08. "Godless run" 09. "Promised land"
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 | | Descripción: | Runningtime: 00:00:00, Bass, Vocals: Mike Duda, Drums: Mike "Spud" Dupke, Engineer: Marc Moreau, Engineer [Assistant]: Mike "Spud" Dupke, Lead Guitar: Doug Blair, Lead Vocals, Guitar, Keyboards: Blackie Lawless, Mixed By, Mastered By: Logan Mader, Producer: Blackie Lawless, Written-By: Blackie Lawless, Written-By: David Coverdale, Written-By: Ian Paice, Written-By: Jon Lord, Written-By: Ritchie Blackmore, Written-By: Chuck Berry, Labelcode 840588103379 (NPR 602 JC), Manufactured By Optimal Media GmbH, Phonographic Copyright (p) Napalm Records Handels GmbH, Copyright (c) Napalm Records Handels GmbH, Recorded At Undercity Recordings, Mixed At Undercity Recordings, Mastered At Undercity Recordings"Babylon" es un potente álbum de estudio del legendario grupo de heavy metal W.A.S.P., disponible aquí en formato CD y editado por el sello Napalm Records. Este disco destaca por su mezcla característica de guitarras contundentes y estribillos épicos acompañados por letras provocadoras e inspiradas tanto en temas apocalípticos como literarios clásicos; canciones como ?Crazy?, ?Live to Die Another Day? o ?Into the Fire? sobresalen entre sus pistas más intensas y reflexivas con una producción impecable que transmite toda su energía al oyente desde el primer momento hasta el último acorde.
W.A.S.P fue fundado en 1982 bajo el liderazgo del carismático Blackie Lawless y se ha consolidado durante décadas como uno de los pilares fundamentales del heavy metal internacional gracias a sus espectáculos teatrales cargados de polémica e himnos inolvidables como ?I Wanna Be Somebody? o ?Wild Child?. Su legado sigue influyendo hoy día sobre varias generaciones dentro del universo del rock duro mundialmente reconocido.
Napalm Records es una discográfica austríaca fundada en 1992 famosa por apoyar artistas innovadores dentro del panorama alternativo y metálico global contando con uno de los catálogos más variados e importantes donde prima siempre la calidad artística para satisfacer las expectativas tanto nacionales como internacionales. |  | | N° de fabricante: |
840588103379 |
 | Seguridad del producto
Persona responsable para la UE:
Napalm Records Handels GmbH Hammerplatz 2, 8790 Eisenerz, AT Info@napalmrecords.com |  |
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Azmi H. - 23/09/2022  BABYLON is WASP's 14th studio album and it's a good one. To start off, the cover of the cd, with its awesome depiction of the four horseman of the apocalypse, is easily WASP's best (followed by their previous DOMINATOR).
|  | Eugene S. - 19/07/2022  The fourteenth studio album by the American heavy metal band. Strong American glam rock with great vocals and virtuoso guitar parts. I recommend.
|  | Vladislav M. - 26/07/2020  The persistence of WASP's musical convictions can only be envied.
The band has been scaling high-grade Heavy / Glam for almost 35 years and is at its peak. Bravo Mr. Lawless!
|  | Alexander S. - 16/01/2020  This W.A.S.P. Album musically, it looks like a logical continuation of "Dominator" a. At the same time, "Babylon" is much closer in spirit to the classic works of Blackie & Co of the 80s. From the very first chords of the opening Crazy, there are associations with the unforgettable action movie Wild Child. The subsequent material, designed in the corporate style of the group, which is difficult to confuse with someone else, looks quite holistic, although it is certainly 100% predictable. However, this predictability can be forgiven for only one of Blackey’s original voice, which still sounds great.
Out of a small number of new songs, of which there are only seven, the epic "Babylon's Burning" with a powerful drive and a furious chorus is especially notable.
Somewhat surprising is the presence on the honorable 4th place of the cover version of "Burn" - a textbook thriller Deep Purple. I don’t know what made Blackie sing this wonderful, but too famous song. It is possible that, with a certain deficit of her own compositions, she fit perfectly into the album, both musically and in semantic terms. However, the original “Burn” sounds certainly stronger. The second cover, the bored rock and roll "Promised Land" by Chuck Berry, completes the album and is somewhat out of the rest of the musical series. Although, perhaps, for Blackie, the semantic component is more important here.
W.A.S.P. released another high-quality album that does not open new horizons, but takes its leader with its professionalism and charisma, fits into the classic 45 minutes (another good tradition along with the frequency of album releases) and is listened in one breath.
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