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 01. "Crazy" 02. "Live to die another day" 03. "Babylon's burning" 04. "Burn" 05. "Into the fire" 06. "Thunder red" 07. "Seas of fire" 08. "Godless run" 09. "Promised land"
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| | Description: | Runningtime: 00:00:00, Bass, Vocals: Mike Duda, Drums: Mike "Spud" Dupke, Engineer: Marc Moreau, Engineer [Assistant]: Mike "Spud" Dupke, Lead Guitar: Doug Blair, Lead Vocals, Guitar, Keyboards: Blackie Lawless, Mixed By, Mastered By: Logan Mader, Producer: Blackie Lawless, Written-By: Blackie Lawless, Written-By: David Coverdale, Written-By: Ian Paice, Written-By: Jon Lord, Written-By: Ritchie Blackmore, Written-By: Chuck Berry, Labelcode 840588103379 (NPR 602 JC), Manufactured By Optimal Media GmbH, Phonographic Copyright (p) Napalm Records Handels GmbH, Copyright (c) Napalm Records Handels GmbH, Recorded At Undercity Recordings, Mixed At Undercity Recordings, Mastered At Undercity Recordings« Babylon » est un puissant album studio du légendaire groupe de heavy metal W.A.S.P., proposé ici au format CD. Sorti sous le label Napalm Records, cet opus met en avant la combinaison unique de riffs percutants et de refrains accrocheurs qui caractérise le groupe depuis ses débuts ainsi que des paroles provocantes inspirées par l?apocalypse et la littérature classique. Parmi les titres phares figurent « Crazy », « Live to Die Another Day » ou encore « Into the Fire ». La qualité sonore exceptionnelle garantit une expérience d?écoute immersive et énergique à chaque piste.
Formé en 1982 autour du charismatique Blackie Lawless, W.A.S.P s?est imposé comme une référence incontournable sur la scène métal mondiale grâce à ses spectacles théâtraux et son univers controversé avec des succès tels que « I Wanna Be Somebody » ou « Wild Child ». Leur héritage musical inspire toujours plusieurs générations d?amateurs de rock et métal dans le monde entier.
Napalm Records est un label autrichien fondé en 1992 reconnu pour sa capacité à dénicher et promouvoir les talents novateurs dans les sphères du rock alternatif et du métal extrême avec un catalogue riche regroupant certains des plus grands noms internationaux du genre tout en garantissant une exigence constante sur la qualité artistique proposée au public mondial. | | | N° de fabricant: |
840588103379 |
| Sécurité des produits
Personne responsable pour l'UE:
Napalm Records Handels GmbH
Hammerplatz 2, 8790 Eisenerz, AT
Info@napalmrecords.com | |
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Les clients qui ont acheté ce produit ont aussi acheté
 Azmi H. - 23/09/2022  BABYLON is WASP's 14th studio album and it's a good one. To start off, the cover of the cd, with its awesome depiction of the four horseman of the apocalypse, is easily WASP's best (followed by their previous DOMINATOR).
|  | | Eugene S. - 19/07/2022 The fourteenth studio album by the American heavy metal band. Strong American glam rock with great vocals and virtuoso guitar parts. I recommend.
| | | Vladislav M. - 26/07/2020 The persistence of WASP's musical convictions can only be envied.
The band has been scaling high-grade Heavy / Glam for almost 35 years and is at its peak. Bravo Mr. Lawless!
| | Alexander S. - 16/01/2020  This W.A.S.P. Album musically, it looks like a logical continuation of "Dominator" a. At the same time, "Babylon" is much closer in spirit to the classic works of Blackie & Co of the 80s. From the very first chords of the opening Crazy, there are associations with the unforgettable action movie Wild Child. The subsequent material, designed in the corporate style of the group, which is difficult to confuse with someone else, looks quite holistic, although it is certainly 100% predictable. However, this predictability can be forgiven for only one of Blackey’s original voice, which still sounds great.
Out of a small number of new songs, of which there are only seven, the epic "Babylon's Burning" with a powerful drive and a furious chorus is especially notable.
Somewhat surprising is the presence on the honorable 4th place of the cover version of "Burn" - a textbook thriller Deep Purple. I don’t know what made Blackie sing this wonderful, but too famous song. It is possible that, with a certain deficit of her own compositions, she fit perfectly into the album, both musically and in semantic terms. However, the original “Burn” sounds certainly stronger. The second cover, the bored rock and roll "Promised Land" by Chuck Berry, completes the album and is somewhat out of the rest of the musical series. Although, perhaps, for Blackie, the semantic component is more important here.
W.A.S.P. released another high-quality album that does not open new horizons, but takes its leader with its professionalism and charisma, fits into the classic 45 minutes (another good tradition along with the frequency of album releases) and is listened in one breath.
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Metal
51.495
